Fabrice Guyot
A series of reflected memory, enriched by a partial and systematic recollection of this very thought – a passage to absraction, as a progressive failure of remembrance, logical, evolutionary, and ever more damaging. In our memories, images exhaust; every time we remember an event, it has degenerated, through our distorted mind... There is, in the vernacular movement of these Fracteids, a singular aesthetics of subtraction – information is taken and converted and reconverted to be abused untill being an echo of themselves. This is the fragmentation and disappearance, like a rewinded snowball effect, which decide and build the Fracteids aesthetic: it is also the inherent misunderstanding of our intern dialogue, which makes us remember things we don't have fully lived, because our memory has betrayed us. The rendering shuffles so intimately the new and the familiar therefore appear a new statement, made out of the recovery and production, whose emersion, induce at last emptyness.
